Yes – with sub-250g drones and specialized flight setups, indoor shots through narrow passages or tight interiors are not only possible but safe and cinematic.

FPV (First Person View) drones offer a pilot’s-eye perspective using live video transmission. Unlike conventional GPS drones, FPV drones are manually flown with full control – allowing ultra-dynamic, close-range shots with unmatched agility.

FPV drones deliver immersive, cinematic motion that traditional drones can’t replicate. Whether flying through buildings or chasing cars, they unlock unique perspectives that elevate your content.

Both are possible. You can book FPV and drone services or complete video production – from concept and storyboarding to post-production with sound design and VFX.

Yes – I use sub-250g drones and operate under certified conditions. With proper planning, FPV flights near people or in live settings are both legal and safe.

FPV is ideal for commercials, real estate tours, automotive, events, tourism, and social media. From fast-paced action to slow, cinematic reveals – the range of applications is huge.

Yes – a non-disclosure agreement (NDA) is included by default on every project. Confidentiality and professional discretion are guaranteed. If your company uses its own NDA template, I’m happy to review and sign it as well.

For best availability, book 1–3 weeks in advance. Short-notice requests are possible but depend on weather, location permissions, and complexity.

Most shoots take a few hours to a full day, depending on location, light, and coordination. Complex productions may require pre-approval, rehearsal or multiple takes.

After your inquiry, we’ll define goals, locations, and scheduling. If needed, I’ll send a quote or project confirmation. Once confirmed, I handle all planning, filming, and delivery – depending on your needs. A non-disclosure agreement (NDA) is provided on every project.

Yes – footage is delivered in 4K (or higher) with flexible codecs for editing. On request, I also provide log profiles, proxy files, or graded versions.

A Cinelifter is a heavy-duty FPV drone that carries cinema cameras like RED or ARRI. It delivers raw cinematic quality with dynamic FPV motion – ideal for top-tier commercial or film work.

I operate custom-built FPV drones in all sizes – from compact 2-inch setups for tight interiors to 11-inch Cinelifters for heavy payloads. Depending on the project, I fly cinema cameras like the RED Komodo X or Sony FX6 – even with gimbals for stabilized shots. Larger cameras like ARRI can be integrated as well; I can provide or build the right drone system for your needs. Whether it’s high-speed chases, indoor shoots, wet environments or rain – the gear is built for performance and flexibility in demanding conditions.

Absolutely. All drones are registered and fully insured, and I operate under EU drone regulations with a valid license for commercial flights.

Yes – I hold extended certifications for flying in urban, indoor, or sensitive areas. Each shoot is planned in compliance with local airspace rules and safety standards.

Presets are one-click editing filters for photos in Lightroom – they instantly adjust color, contrast, sharpness, highlights, and shadows to create a specific look. My Lightroom presets are designed with a focus on depth, mood, and tonal balance. They help you achieve a professional aesthetic while saving time in your workflow.

Each print features an original photograph captured by me – moments, moods, and places I experienced firsthand. They're printed on Hahnemühle FineArt paper using archival pigment inks for gallery-grade quality and longevity. These aren’t mass-produced images – they’re carefully selected visuals with emotional depth, printed to last a lifetime. Unframed or framed and made to order in various sizes.

Orders are shipped from Europe. Within Europe: 5–10 business days Outside Europe: 10–20 business days Digital products (LUTs, presets) are delivered via email within a few hours. Free shipping is available for: DACH: Germany, Austria, Switzerland International: Europe, USA, UK, Canada, EFTA, Australia, New Zealand, Japan, Brazil & more

Returns are not possible for digital products or prints. Prints are made to order and not stored in stock, so they cannot be returned or exchanged. For more information, see our Shop Policy.

A LUT (Look-Up Table) is a digital color preset used by filmmakers, editors, and colorists to apply a consistent look across footage. Think of it as a professional-grade filter that transforms the mood, contrast, and tone of your video. My LUTs are handcrafted and tested on all kinds of footage to deliver cinematic color, rich contrast, and fast, consistent results – ideal for high-impact edits.

Unfortunately, it will never look exactly the same because too many factors (camera, exposure, time of day, colors) play a role. However, with the LUTs you have the same basis as me, since I use these LUTs for my own videos. This gives you a great basis for creating your own individual style.

Copie the .cube Files to the following folders: Adobe LUT Folder Locations PC "C:\Program Files\Adobe\Adobe Media Encoder 2023\Lumetri\LUTs\" "C:\Program Files\Adobe\Adobe Premiere Pro 2023\Lumetri\LUTs\" "C:\Program Files\Adobe\Adobe After Effects 2023\Support Files\Lumetri\LUTs" MAC "/Library/Application Support/Adobe/Common" Davinci Resolve Folder Locations PC "C:\ProgramData\Blackmagic Design\DaVinci Resolve\Support\LUT" MAC "/Library/Application Support/Blackmagic Design/DaVinci Resolve" Final Cut Pro Folder Location MAC “Library/Application Support/ProApps/Camera LUTs”

Adobe Premiere Pro Open your footage in Premiere Pro. Right click within the Project panel. Select New Item, then Adjustment Layer. Click OK in the dialog box. With your new adjustment layer selected, go to the Color menu (at the top of the program). Open the Creative tab in the Lumetri Color panel. Click the dropbox next to Look to open the menu. You can now select a LUT from the menu or click Browse to find one you’ve saved on your device. Adobe After Effects Start a new project or open an existing one in Adobe After Effects. Right click on the timeline and select New Adjustment Layer. With the adjustment layer selected go to Effect > Utility > Apply Color LUT (or drag and drop Apply Color LUT if the Effects and Presets panel is visible). Browse in the dialog box to find and select the desired LUT. Final Cut Pro Select your footage in the Final Cut Pro timeline. Open the Effects browser, select the Color category on the left, then select Custom LUT. Click the Video icon (it looks like a short film strip). In the Custom LUT tab of the Video inspector, click LUT > Choose Custom LUT. Find and select the desired LUT and click Open. DaVinci Resolve Open your project in DaVinci Resolve. At the bottom right of the program you’ll see the Settings icon. Click on it. Under Color Management, select Open LUT Folder. You can now open a Finder window containing your LUT. Drag and drop the correct file into the open DaVinci Resolve folder. Close the folders and refresh your options by clicking Update Lists. Select your LUT from the 3D Input Lookup Table dropdown menu and click Save. LumaFusion Open your clip and double tap it in the timeline. If any LUTs are already loaded, you’ll see thumbnails of them. Below those thumbnails, you’ll see an arrow pointing to the right, into a rectangle. Tap that icon. Now you will see a menu of supported places to import from. Browse to find and select the LUT you wish to import and use. Adobe Photoshop Go to Layer > New Adjustment Layer > Color Lookup. (You can also pull this option up directly from the Layers menu, just like any other adjustment layer.) Now you’ll see the Color Lookup options. Check 3DLUT File, then click the dropdown box for that option. You may see some preloaded LUTs. You can select any of those you like, or you can select Load 3D LUT to browse your device for the LUT file you want. Adobe Lightroom Navigate to Develop tab. Click on Profile Browser button. Click the Plus + sign and select Import Profiles option. Navigate to the folder and select the .xmp profiles to import. Your newly installed LUTs will appear in Profile Browser and are ready to be used. To apply a LUT simply click on the appropriate LUT thumbnail.

Conversion LUTs are technical LUTs that are used to convert flat (LOG) footage into various image standards such as Rec. 709 or Rec. 2020. Basically, converting one color space to another. Creative LUTs, on the other hand, can be applied to any material and are intended to achieve a specific look.

A LUT (Look-Up Table) is a digital color preset used by filmmakers, editors, and colorists to apply a consistent look across footage. Think of it as a professional-grade filter that transforms the mood, contrast, and tone of your video. My LUTs are handcrafted and tested on all kinds of footage to deliver cinematic color, rich contrast, and fast, consistent results – ideal for high-impact edits.

Lightroom is a popular editing program in which you can import, sort, edit, export and upload your images. And all of this super easy, fast and with all the options in terms of colors and imagery.

You can apply any preset to any image, whether JPEG or RAW. However, you will achieve the best results for your images if you take them in RAW format and then edit them in this format. A RAW refers to the raw data format in photography. Photos taken in RAW format contain all the image information captured by the image sensor. Images captured in RAW format are basically like a digital negative that needs to be developed afterwards. Due to the wealth of information, these files have arelatively large filesize. However, it is really worth shooting pictures in this format, as they look much better when edited (including when using the presets). There are fewer burned out areas, they don't get as grainy and the exposure and shadows can be edited much more precisely with RAW formats.

Unfortunately, it will never look exactly the same because too many factors (camera, exposure, time of day, colors) play a role. However, with the Presets you have the same basis as me, since I use these Presets for my own pictures. This gives you a great basis for creating your own individual style.

Presets are one-click editing filters for photos in Lightroom – they instantly adjust color, contrast, sharpness, highlights, and shadows to create a specific look. My Lightroom presets are designed with a focus on depth, mood, and tonal balance. They help you achieve a professional aesthetic while saving time in your workflow.

Adobe Lightroom CC Unzip the ALTRA Presets Pack. Start Adobe Lightroom CC. Click on "File" in the top left of the navigation. In the context menu, select the item "Import profiles and specifications". Now navigate to the location of the downloaded presets and select the presets. Confirm by clicking on "Import". Adobe Lightroom Classic Unzip the ALTRA Presets Pack. Start Lightroom Classic. Switch to the "Develop" window. The "Specifications" are displayed on the left. Click on the plus symbol next to "Presets". Select "Import Presets" in the context menu. Then navigate to the downloaded presets and select the presets. Confirm the selection by clicking on "Import". Adobe Photoshop Unzip the ALTRA Presets Pack. Copy th presets to following folder: Mac: ~/Library/Application Support/Adobe/CameraRaw/Settings Windows: C:\Users\[YOUR_USERNAME]\AppData\Roaming\Adobe\CameraRaw\Settings Open any photo into Photoshop. Go to Filter > Camera Raw Filter. Click on the Presets tab and you should find the Lightroom presets here. You can also click the „three dot” and choose “import”, browse to the presets and click “ok”.

Hahnemühle prints are known for their exceptional quality and durability. They offer outstanding color accuracy, detail and impressive depth of color. In addition, they are acid-free and fade-resistant, meaning they will retain their original quality for many years. This makes them one of the highest quality options for fine art prints.

The prints are available from 29x42 cm to 100x70 cm and can be selected on the product page.

To ensure the longevity of your Hahnemühle prints, you should protect them from direct sunlight and store them in a dry, cool room. It is also advisable to only touch the prints with clean, dry hands or with cotton gloves to avoid oil and dirt deposits.

The images are produced as giclée prints on Hahnemühle Photo Rag paper, which is known for its excellent color accuracy and detail. This high-quality printing process makes them ideal for fine art prints.

Each print features an original photograph captured by me – moments, moods, and places I experienced firsthand. They're printed on Hahnemühle FineArt paper using archival pigment inks for gallery-grade quality and longevity. These aren’t mass-produced images – they’re carefully selected visuals with emotional depth, printed to last a lifetime. Unframed or framed and made to order in various sizes.

You can choose between framed and unframed. I choose the matching high quality frame and the passepartout for the framed prints. The frames have also a mount included. If you have a special request or want to buy a specific picture that is not in the store, please contact me..